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Behind The Label: Unbeatable Music

Hey Unbeatable Music – Thanks for chatting with us!

Who are involved with the label?

Adrien (Manager), Odile (Financial manager), Erwann and Ilsen (Strategy advisors), Thibault and Lucile (Graphic design). This is the core of the team but we got a lot of partners around us who got an important relationship with the label. We also got a network of friends, DJs, recording studio, label managers, distributors and vinyl shops who give a lot of advice to help to improve the project.

How and why did this label get started?

How? Just need to put the money in! Also you need to be strategic to get an impact. Why? It’s like a feeling.. Something missing in my life. I searched for a long time what it was and I’m sure I found it now. I needed something to highlight and elevate drum&bass! I needed a name, a logo, a serious and professional project to say: ‘Hey people, have a look!’ Make people dreaming & dancing, that’s my goal!! That makes me fully happy! One of the bigger reason is to produce vinyl and protect the practice of mixing vinyl. Some people ask me why I’m releasing vinyl if the bigger label like RAM Records almost stopped producing vinyl this year.. My answer is simple; if a specie of an animal is disappearing, some people will fight to save this specie, right? I’m probably an utopianist but I want to do the same for vinyl! We can still see some DJs mixing pure jungle on vinyl! Some artists like Alix Perez (1958 Music), Lenzman (The North Quarter), Kasra (Critical), London Electricity (Hospital) are keeping the vinyl right? Life is too short to not fight for what you love… Today I’m the only french dnb label doing this fight for vinyl and I hope I will do it as long as possible.

What’s your background in the dnb scene?

I used to teach music in three different schools in Preston, close to Manchester, for a couple of years. I used to have a web radio channel called Loud on Vmix.fm. My channel was specialised in bass music. I organised a lot of music events in England & France. This label is a logic continuation of all that.

Do you produce music yourself or are you finding music to release?

Firstly I’m a strictly vinyl DJ, I never mix any digital music and I refuse to do it! It’s like refusing to eat meat when you are a vegetarian, it’s just my rule! I don’t tell everyone to do the same but I tell everyone to respect my philosophy! People don’t understand and argue with me sometimes. It’s about the roots of the DJ culture and the massive respect I have for music. I think
music is the best thing in my life and I don’t mind to pay over 10€ to get my record.. The hard drive kill your music over time but your vinyl will be with you all your life. Also, I get upset listening to people saying that ‘DJs are jokers, they do nothing behind their desks’… I just want to tell them: take these vinyls, try to mix it and we can learn together. Secondly, I produce music on Ableton Live! I still miss technics but I got the vibe.. 

Fortunately I got help but I really need to improve it and I know it’s a loooong way. Today you can listen and watch the video of my first tune Quasar. This tune is on the side B of the first release of Unbeatable Music.

Ad Loud – Quasar

I’m finding music too, for example The Caracal Project who is on the side A with the track Skippin’. Behind this kind of cat is Felix, he is very smart, I think he is a prodigy! He is ready to catch the big stage now. His music has been played on Noisia Radio several times and also on BBC Radio One dnb show with Rene Lavice… His tunes has been played by a lot of great artists like Ed Rush and Phace. You can listen to a lot of his tunes on Skank & Bass if you want to..

The Caracal Project – Skippin’

How do you find artists?

I got a profile on www.soonvibes.com Also I like to receive a private Soundcloud link from artists! The idea is to make sure I’m the first listener and the tune is not published in public. This is very important.. I would like to chase the gold tunes but I don’t have a lot of time at the moment unfortunately, the distribution and promotion take a lot of time.. Anyway I prefer the quality and not the quantity so I will take time to find some tunes for the next release. I don’t want a basic label and releasing one EP per month but I’m looking for a nice quality with a large offer like music video & nice gigs.

What has been the hardest part to run a label?

Money and time! If you don’t have money – forget the project and if you don’t have time is the same. It’s very expensive especially for me because I’m making vinyl. To start a label you need to invest all your time to run everything properly. So if you have a full time job in addition you can’t make a label and if you get a part time job forget sport and say good bye to your friends (except music friends of course)… If you have the time and money, then you can run your own label.

What has been the best part?

The best part is the pleasure you got when you watch your first music video or when you touch physically your own vinyl for the first time. ‘It’s Magic’… Also people are grateful about what you are doing for the movement.

How does the future look like for Unbeatable music?

That’s the best question ever! Obviously, an amazing future but I can’t tell you why. I’m working on a secret project which I’m not 100% sure about and it’s important to keep the secret and work on a strategy to give the message in the best moment. I got everything I need to do it.

How would you describe the sound of Unbeatable Music?

All sort of dnb! Old school to new school, darkness to melodic, underground to mainstream!! Drum & Bass broke the codes and mixed all kinds of influences with its rhythm, it’s why I love this music! If I would describe it in two words, I want to say: Open Mind.

What’s next?

Massive distribution for the first EP half September and preparation of the selection of artists for the second EP for this winter. Also I’m working on music video and a big gig for September 2020.
Stay tunes guys!

Any famous last words?

Music is the key of humanity! (I’m too philosophic, I know :D)

You can follow Unbeatable Music on SoundCloud, Facebook & Instagram and buy music on vinyl & digital on Discogs & BandCamp

Behind The Label: Skalator Music

Hey guys! Can you tell me how and why Skalator Music started?

Hello! Thank you for inviting us to talk a bit about us. The whole thing with the label started back in 2014 as a platform to release Gil [Skalator]’s own productions but it has since moved to become the nest of upcoming producers and a platform for established producers in the scene, both Portuguese and foreign.

You are 4 people (at the moment) working for the label, how do you divide that work between you?

Gil [Skalator] is based in Lisbon and handles with A&R, sales reports, contracts, press releases and makes some music sometimes, when and if a spare moment arises!

Hugo [Y.L.S.] is based in Portimão and deals with the mixing and mastering process as well as A&R and always on the lookout for new talent to join the label.

Al:X is based in Singapore and our ambassador in Southeast Asia, reaching out every month with new beats and dubplates and hosting our podcast called “Decadance” on Portuguese Rádio Quântica.

Last but not least, Gonçalo Incendiário is our art director and responsible for our social media content.

What’s your background in the music scene?

Most of all, we’re all ravers for a long time. We all share a live music and Djing background for quite some time; Al:x is also a guitarist and former member of Portuguese band Macacos do Chinês.
Both Gil and Hugo have worked as sound technicians in the past doing live sound and studio mixing for bands, across several different venues and events. Incendiário studied Fine Arts, but he played guitar back in the days. He also makes the sound design for his video art works.

You didn’t release as much as you used to in 2018 – what happened?

We had a difficult year in 2018 as we used to be together pretty much everyday at the studio in Lisbon, making music and running the label but due to parenthood and family relocation, for both Hugo, Incendiario and Alex who also moved to Singapore, it took us a while to adapt to this new way of working together, further in distance than usual.
We didn’t change the label’s core & ethos though, we just didn’t manage to release music with the same consistency as in the previous year.

What’s the hardest part of running a label?

The hardest part is that people, in general, don’t buy music. We need to have other jobs to pay the bills, as the label itself doesn’t generate enough income for us to solely dedicate our full time to it (although this is what we should be doing, all four of us, in an ideal world)
Despite all the marketing techniques and social media input to improve the label’s visibility and presence, it is an ongoing job of persistence and resilience and we are committed to continue pushing the scene forward as this is something we really really love.

What has been the best parts?

We used to organise a few parties around in Lisbon up until recently as we had a residency at a local venue, and we have built a good following ever since which helped us getting into the map, Lisbon is having regular Drum and Bass parties with some big names in the scene and it makes us proud to see our DJ’s also on those line-ups; having had our music played on BBC Radio 1 and Noisia Radio and having the support of some of the legends in the scene and unknown people around the world, it’s very rewarding.

How do you decide what tunes/artists to release?

We meet regularly via video call and sometimes in person, and then we go through all the tunes we get sent; we discuss our personal opinions about each one, and then make a decision whether it has potential to be released or if doesn’t meet the sound criteria that we want to have on board – deep, bass, breaks, “techy” stuff.

How’s the dnb scene in Portugal?

It all started back in 1997 in Porto, pioneer in showcasing the now part of the oldskool gang (Fierce, J Majik, LTJ Bukem, Hype, Ed Rush & Optical, D.Bridge, Zinc, Mampi Swift, Marky, among others). The scene has since then grown steadily with memorable events but suffered a considerable blow with the arrival of Hardcore Drum and Bass. A lot of people stopped going to raves because the sound was just too heavy and repetitive and they couldn’t feel the vibe anymore. There was a natural split between the “hardheadz” and the “metalheadz”. We followed the latter as we like that deep bass music; then we began to link up with old friends and people that had given up on the scene because of the above and we started doing parties again and took care of bringing back the good vibes. I think the scene is growing well again, as the promoters are bringing good names in the scene and people are coming out to venues much more.

What is the goal with Skalator Music – where do you want the label to be in the next few years?

The aim is to continue releasing new music that showcase what inspire us but we are also in the process of creating a sub-label soon to push for the more experimental side of things; we also would love to continue playing out in gigs to spread our sound far and beyond.

What’s the plan for the label for this year?

We have a few releases lined up for the near future, including an EP, a single, a remix E.P and a VA compilation E.P, watch this space! :)

To strengthen and nourish our back catalogue is a priority for us, later in the summer we will unveil Al:x’s 1st E.P on the label. Our second free instalment was released via Hypeddit on the 23rd July, a deep searching track by Incendiário called “Sonder” – very exciting times!

Any famous last words?

Big shout to you Jenny for the invite, big ups to everyone that follow and support us! Support the artists you like, buy their music and go to their gigs, especially those who are your friends.

For more information, head to their website. You can follow Skalator Music on Facebook, BandCamp, SoundCloud & MixCloud

Behind The Event: Lucidity DNB

Hey guys!
Thank you for answering my questions for drum+basics. Who are Lucidity?

ALEX: Hey Jenny! So yeah, we are Lucidity DnB – founded in 2016 with the mission of bringing the deep and techy side of the drum and bass scene that we love, to our local town. It started really at the slight frustration of essentially having to travel to London to catch something we were totally into. It started off with 2 guys, me and a guy called Jack Sutherland, who at the time was the manager of the local music venue called The Ramsgate Music Hall (more on that later). I at the time was running a sound system called Infekted Hertz, and put on small parties with local dj’s and friends. He wanted me to help with the promotion, and supply the sound system for the second room at The Music Hall, after a successful first event, things went full steam from there. Jack has since left to go travelling, but we still talk about Lucidity when we get the chance.
Funnily Jack was replaced with another Jack – Jack Vickers, another passionate head, who joined the team at the end of 2016 to help with the running and promotion of the brand.

I’m always interested in to know where people get their rave name from. What is your story?

ALEX: Credits go to Jack Sutherland here, he said. “Lucid means expressed clearly; easy to understand. I wanted the events to be straight up with their purpose – to bring something upfront and different each time. Lucid is a cool word that made sense at the time and it just kind of sounded cooler as Lucidity.”

What is your background in the drum&bass/jungle scene?

Just very committed fans! Other than the events under Lucidity and the local DJ’ing and producing we do not have any background at all.

How do you go about choosing DJs?

JACK: It’s not always about who want to play at our events, it has become more about what is financially viable for us, being at the bottom end of the country in an area that isn’t really well populated with people that are into the sound we represent. When we started in 2016 we announced a series of label nights that were happening throughout the year, which were Spearheads, Critical, Dispatch, Metalheadz and Peer Pressure. These included some of the top artists in the scene like Hybrid Minds, Hyroglifics, LSB, Bcee, MC Tempza, Kasra, Ivy lab, MC Mantmast, Zero T, DBR UK, MC Fokus, Facing Jinx, HLZ, Philth, Collette Warren, Scar, Commix, MC Visionobi, Dom & Roland, Klute, MC Gusto, Script.

This year we have decided to go for a different approach. We want to book artists that are perhaps not as well known but will still provide the top quality experience we have always promised. So for our next event we have got DJ E & Blackeye MC coming to play. I actually bumped into DJ E at a tech itch night a month or two back and spoke to him about Lucidity and some of the issues we have finding DJ’s to play which led to me asking him to come down for our next event. There was a few artists at that party I respect, and I had the same conversation with them, so already we have some great ideas for the year ahead.

Dream line up?

Ed Rush & Optical but a proper virus set, Philth, Smyla, Mefjus in 2015, Audio hardware/virus set, Technical Itch… We could go for quite a while really but we’ll keep it short and sweet and these are the first few that popped to mind.

What’s the goal for Lucidity?

To just continue what we’re doing really, we love to bring something different to our area and to push the sound we love by always looking to work with other brands, labels and artists.

What’s next?

Watch this space..

Any famous last words or shout outs?

I definitely want to shout out everyone that has got involved with Lucidity, come and played or helped out in anyway, big up! Jack Sutherland, Will Spinout, Oversight, Jake Lee, all the crew down the music hall, the guys from F1 Sound co ltd for providing hench sound systems and lighting, script, everyone that has done design work for us, justin, jungletrain.net, big thanks to you!

Thank you!

For more information, head to Lucidity DNB but get your tickets for Saturday here!

Introducing – MINIKIN

Please introduce yourself…

Hiya all,

I am Fedi, I am Slovak, I am short, crazy and a bit weird too but most of my friends love that.

Also I am in love with drum and bass and probably heading to be a full on DJ in the future – hopefully! ( haha )

 

When did you decide to start mixing Drum & Bass and why?

I have listened drum and bass so many years basically from my early teenage years.

I used to be a promoter back in my country for few years so I have been into dnb even more than just a regular fan.

I am still part of the biggest promoters crew in Slovakia – Trident and currently I am also part of my lovely Hexagon crew here in UK.

When I moved to London I was 100% sure that I wanted to do more with drum and bass so I have started to teach myself to play on friend’s CDJs Pioneers 350 and that’s how it started.

 

 

Was there anyone in particular that inspired you to start DJing?

Many of my friends inspired me to start also many producers with their amazing music really inspired me too.

 

Any events your playing at this year?

I have already done DJ sets this year in Bratislava/ SK, Prague/ CZ and London.

Next one will be at our biggest dnb festival Trident open air in Slovakia.

 

Any Final Words?

Big shout to all my friends, family and my partner for putting trust in me and pushing me to achieve my goals.

Also my second family in Trident SK crew, Drum and bass Wear crew and Hexagon crew for giving me opportunities to learn and improving myself in many different ways.

 Finally thanks to Drum+Basics ladies for this great opportunity.

Great to have a mix on your channel!

I really appreciate it and hope you all will like it!

Behind The Event: Hexagon

Hey Jenny from Hexagon and thank you for answering my questions! What is Hexagon and how did it all start?

Hexagon is a drum and bass collective of 6 friends who love the music and the scene so much that we decided to start our own regular event. This all started, as many music things do, in someone’s living room. The founding 3 of us would play for so many hours straight week in week out, till one day someone said we should start a night. I took on making that happen and once the other 3 were also on board, within a month we had booked our first party at Work Bar which was perfect in terms of location and capacity, and also because it was so well known already on the scene thanks to its mid-week DJ Mag events there.

Where does the name come from?

The name comes from the fact that there’s 6 residents and we wanted a strong name and logo. Hexagons are found everywhere in nature and it’s the strongest geometric shape there is.

What is your background in the drum&bass/jungle scene?

We all come from different places and our ages span from 20s to 40s so we have varied backgrounds. Lady Lena, our most talented and experienced DJ, has been cutting her teeth on the scene for couple of decades now. Our 2 youngest both come from Czech and we also have myself and my husband Alex who grew up in Cyprus, so we all bring a very different style to our mixing and tune selection. That’s why our tag is “6 sides of cutting edge drum and bass”.

Do you guys remember your first rave?

6 DJs with 6 different answers here. All of us put down strong roots in Fabric though. Those Friday nights made regulars of us all.

Favourite venue & favourite rave?

Fabriclive is still hard to surpass, especially now it’s found its feet again after that horrible fiasco when the council tried to shut them down.

Do you all DJ as well?

Absolutely! We all bring something to the table on top of DJing though. Some of us promote harder, some bring in the connections and experience, some bring technical skills. I bring in the leadership and organisational skills. But we all contribute equally and that’s the whole point of having a collective.

How do you go about choosing DJs for a Hexagon night?

When we started it was just the 6 of us playing but we soon realised that was no way to go forward. So we reached out to some of our closest contacts and found so many amazing DJs wanted to get involved. From the second event we already had our first special guest, none other than McLeod from Spearhead, who also does our t-shirts by the way. We followed up with Benny L, Philth, Ed:it, Phil Tangent, A Sides and that was just in our first year.

When is the next one and what can we expect?

This Saturday at Bar 512 in London from 9.30 pm until 6 am with SCAR (both of them!), HLZ, MD and Wreckless! Plus Hexagon residents of course.
21st April we are taking over room 2 in legendary Volks, Brighton with Metalheadz in room 1!!
And you can always catch us and guests on Studio 808 every 2 weeks, Saturdays 4-6 pm.

Dream line up?

We’ve always said that getting DLR to do a b2b with Octane again would be a dream come true! Having said that, every line up we have is a dream for us because we’re so happy and privileged to have these amazing DJs playing with us.

What’s the goal for Hexagon?

We want to settle in our new home at 512 for now but one of the big goals we always had in mind was hosting room 2 on a big Label night and with Metalheadz in Volks on 21st April this is already becoming a reality! Hopefully more to come.

What’s next for Hexagon?

We’re planning some regular rooftop parties for the summer and possibly getting involved in some festivals here in the UK and also in Europe. Watch this space…

Any famous last words or shout outs?

I was just thinking about this quote this morning coincidentally:
‘Life should not be a journey to the grave with the intention of arriving safely in a pretty and well preserved body, but rather to skid in broadside in a cloud of smoke, thoroughly used up, totally worn out, and loudly proclaiming “Wow! What a Ride!”‘ H.S. Thompson

For more information, follow Hexagon Collective on Facebook and get your tickets for this Saturday HERE

Interview & Guest Mix: Bonnie Blaze.

 

Please introduce yourself..

 

Hi my name is Eleni aka DJ Bonnie Blaze.
I’m originally from South East London now currently situated in Peterborough UK.

 

How many years have you been Djing out in clubs?

 

I’ve been DJing since I was 19 years old since December 2001.
My boyfriend ( who I was seeing at the time ) brought me my first pair of decks for my 19th birthday.
I taught myself to mix in 2 weeks and got to play my first ever live set in 2002 at Jamm in Brixton

 

How do you balance being a parent and Djing?

 

Although it is quite difficult at times I still manage to fit my DJing and goals around parenting because luckily like their mother they are junglists and don’t mind me playing my music or following my dreams just as long as they come first so I have to prioritise well.

I would like to be able to start doing radio shows from home or at a studio and I plan to do some guest appearances or some radio shows too very soon.

What my goals for the next few years will be getting my head down in the studio and stuck into music production.

 

Who has kept you motivated & inspired you over the last few years within D&B?

 

When I started out mixing I had two goals one to bring the Old Skool sounds back into the raves as I missed them and wasn’t hearing them out much back then and that I wanted to inspire more and more females to want to DJ as you got to admit they wasn’t enough females in Jungle and Drum and Bass back in the early 00’s.

In regards to my sets I use to play a lot of 94-96 Jungle mainly, I was lucky enough to have borrowed a lot of my cousins records so I could practice and use to play out when I finally got to that point in my DJing.

Back then I was playing a lot of tunes from 1991 hardcore right up to 1996 Jungle and Drum and Bass because I wanted to start from the beginning due to being an Old Skool lover.

My inspirations go way back to some of the originators like Fabio & Grooverider, DJ Hype, DJ Randall, Micky Fill, Aphrodite and DJ Rap to name a few.

More recently I’ve been inspired by the likes of Bladerunner, DJ Hybrid, Aries, Epicentre, Benny L plus many more also artists that are working hard as DJ’s in the scene like Andy C and Nicky Blackmarket pushing boundaries and are out there playing through the whole spectrum in their 5 hour sets.

Plus we cannot forget all of the female artists doing their thing in the scene right now, they inspire me the most to keep doing what I love.

 

 

Where can we see and hear you next?

 

Here’s a list where you will be able to catch me playing out next.

So far confirmed are…

– Jungle Revival @ Club Aquarium, Old street on 5th April 2019.

– T Promotions 1st Bday Bash @ Protocol, Vauxhall on 20th April 2019 (Day time event).

– Unity in the Sun 2019 repping Jungle fever in Corfu, Greece from 20th May – 27 May 2019.

– Lakefest 2019 (More details to follow soon) dates between 8th – 11th August 2019.

 

Do you prefer 60 minutes sets or 90 minutes?

 

I’m going to say I really prefer 90 min sets.

When I’m playing out live in clubs I enjoy seeing people dancing and smiling to your live sets and I like to have plenty of time to express myself through my sets, plus time always goes so quick when you’re having fun.

If I’m mixing at home I prefer 60 mins sets as it isn’t quite as liberating and I just want to hurry up and finish my recording (if I’m making one at the time) and get it up on my mix cloud so others listen and enjoy the music too.

 

Which Dj/Producer are you enjoying at present?

 

The DJs/Producers I’m feeling at present have got to be Mrs Magoo, Frenetic and Holly-May, Euphonique, DJ Jessie Jo, Lady V Dubs.

DJ CALI, Aries, DJ Hybrid, Bladerunner, Veak, Benny L, DJ Blacklist, Jaguar Paw & Yush, Lydia Briggsy, Dizzy Blonde, DJ Choppah, Spectrasoul, DJ G Luis, Operator M, Mantra, Djiin.

Sista-Matic, DJ Bagpuss, DJ Relm, Lavery, Uncle Dugs, Billy ‘Daniel’ Bunter, The Fat Controller plus too many more to list right now…

 

Any final words,special thanks,mentions?

 

Finally…. I want to send some shouts and special thanks/mentions to all my family and friends and people who have booked me and supported me over the years plus more.

All these special mentions are in no special order D.V.S MC  for booking me (one of my first epic bookings) Grant Epidemik, MC Deefa and Mr Joseph for organising me to play at Fizzy Wednesdays.

DJ Chalkie White for giving me my first set on a boat on the Thames, my friend Marc (Owner of the event Rave Utopia)

Funki and Simon for booking me for Moondance events, Billy Bunter, Sonya and The Fat controller for believing in me and booking me to play out in Corfu at Unity in the sun in 2018 and now again May 2019.

Lisa Dizzy Blonde for our b2b sets at Moondance and getting me up on Kool fm as one of her guests.
DJ Bagpuss and DJ Relm, Briggsy, Papa Gee, Uncle Dugs and Sarah, Luke DJ Skyz, Lavery, Rachel EC and Vinyl Junkie, Aaron V, Clayton Hines aka Mr Renegade for believing in me and giving me bookings the last two Renegade hardwares.

DNBE Girl sisters DJ Kisscut, Basscake, Bassline Beanie, Lady Niki and Kan Jacca, Barry from Swoop promotions.

My brother from another MC Deanie Rankin, my friend Jay for making so many this possible for me right now doing what I love in the music also DJ Operator M, DJ G Luis, DJ Reggie Ryder, MC Testsite, Cara, DJ Gravity for my booking at Blueprint, Kyx, DJ Lady Eliza, 7EVEN, Dubplate Bass, My partner in crime Theo Luis, another brother from another Roger Gateson, and so many more people I could be here all day….

Thank you all for all of your support….

 

Here’s one super bassy jungle/dnb mix from DJ Bonnie Blaze…

Exclusive Interview & Guest Mix: Promo ZO

Introducing Promo ZO a female Dj from Maidstone Kent U.K.

A lady you may of heard of already as Promo ZO has been working hard for many years within D&B but usually behind the scenes.

We asked a few Qs to find out more & what Promo ZO has planned for 2019.

 

Your Dj name is quite unique and stands out, any specific meaning behind the name?

Yea it’s kind of transferable!

My name is Zoe so in comes the abbreviation “ZO” and I have always been involved in some form of promotions, from club, vinyl, brand and product so it just kind of works and has stuck. 

When and why did you start to listen to and mix D&B?

I was taken in by D&B as a kid, we would listen to cassette recordings of Nicky Blackmarket and Ellis Dee in class, not that it was on the curriculum!

I then discovered if I hung out of my bedroom window with a coat hanger attached to my radio aerial I could pick up London’s Kiss 100 FM and tune into incredible specialist Jungle Drum and Bass shows hosted by the likes of Hype, Kenny Ken and Jumping Jack Frost. I remember listening to Pascal’s P-Funk Era on repeat on my Sony Walkman, it got me. 

In my home town of Maidstone in Kent we were lucky enough to have the legendary Atomics night club which was home to epic weekly events such as Heat and Pure Science plus we had an amazing record store Plastic Surgery Records, from there the culture became a lifestyle. I would have a go at mixing at friends after parties plus I worked at a couple of South London record shops and when it was quiet I’ll have a little roll out, I then soon bought my first set of 1210’s.  

 

You’re a lady whose been involved within D&B for many years, recently here at Drum+Basics we’ve noticed you’re now Djing more at numerous events and fully back doing radio..

When and where can D&B fanatics expect to see/hear you mixing again?

You can catch me live every Wednesday on Bassdrive from 2-4pm GMT broadcasting to the most dedicated Drum & Bass listeners across the globe.

That’s 8am-10am CET so for my American listeners it’s a breakfast show with quite a difference! 

I played out at the last Middle Skool at Work Bar which was really good fun, since then a few promoters have reached out so fingers crossed I will have some 2019 gigs to announce soon. 

Will you be adventuring down the music production route?

I am!

I’m often in the studio with KG and also 2Shy, between us we have cooked up a few beats. 

 

As a female DJ, have you noticed the sudden urge in females being inspired and stepping up within the music industry?

Yes, I think it’s great that more ladies are stepping up in every role.

I have worked amongst many women in the music industry over the years, those in key positions, some that are behind serious headline acts, clubs, events and labels. Some whom have hired me, some whom have helped make artists who they are today. 

My female DJ inspirations are comprised of ladies like Lisa Lashes, Kemistry, Storm, Lottie, Miss Pink, Lisa Loud, Smokin’ Jo and DJ Rap. Granted they are not all D&B DJ’s but none the less they are inspirational trail blazers in their own right. I am pleased to see that female DJs are beginning to be represented equally on line-ups, it is about time that the balance was right and it’s great that promoters are becoming more conscious of the often male-heavy bills yet they also have to be mindful not to book for the sake of gimmick, token or trend. 

What has been your biggest achievement so far?

Woah!

Beating Cancer!

Ok I know it’s not quite a music related achievement but it’s a big deal and it certainly put a lot of things into perspective for me. The support I received from the D&B family was incredible. Once in remission I did a charity skydive and donations came in from across the scene, I surpassed my target thanks to support from the likes of Andy C, Pascal, Delta Heavy, Ulterior Motive and many more scene figures to the point that the campaign was in the top 3 per cent of JustGiving campaigns that month.

That’s going to be a really hard one to top!

 

What are your plans, main goals for 2019?

To get stuck into more production.

I’m really liking the sound of the colabs that I’ve been a part of so the goal is really to progress on that and see where it leads. Maybe some releases, maybe some events, what matters to me is that whatever IT is, that it’s organic.

Of course any special thanks, mentions, final words?

Big thanks to you MaryAnne for taking the time to speak with me. 

I must send thanks to Keria EOC and all of the Middle Skool crew, Greg from Secondary School for pinching his brother’s cassette tapes, 2Shy MC, KG, Louis, Donovan, all the Bassdrive family and the amazing listeners.

Out to the ladies representing since day; Caroline, Jo Hines, Zara, Alicia, Tasha, Empress, Robyn Chaos and not forgetting MC Jakes, Anile, Digital, Total Science, Randall, GQ, Frost, Bryan G, Audio, Calyx, Night Shift, The Prototypes and everyone supporting.

I see you! 

 www.promozo.com

 www.mixcloud.com/promozo 

 www.facebook.com/promozo

 www.twitter.com/promozo

 www.instagram.com/zopromo

Exclusive Interview: Indidjinous

So first thing first; your name, Indidjinous. What’s the story behind that?

There are two meanings behind it. “Didj” is short for didjeridu, the instrument I use in much of my music. So I changed the spelling of “indigenous” to “Indidjinous” to emphasise the didjeridu reference. I also chose the name because it evokes the tribal vibes that characterise my sound.

You have been playing the didjeridu since 1998, what drew you to this ancient instrument?

The didjeridu appealed to me because I hated learning the piano as a small child, which just felt like a chore. I’m sure it instilled an important musical sensibility in me, but at the time classical music lessons, anything that involved reading music, was not enjoyable. When I saw a didjeridu played up close in a world music store in California, it seemed so wild and limitless compared to a ‘normal’ instrument. I gave it a try and discovered I’m more of a wind instrument kind of person.

You grew up in San Francisco but have lived in other places in the US and now you are in the UK. Can you tell us about that journey and how you ended up here?

I moved from the SF Bay Area to Santa Cruz, California for college in 1998. That’s also when I first started playing didjeridu and got obsessed with drum & bass. At that time the dn’b scene in Santa Cruz was smaller than the dominant San Francisco scene, but it was uniquely vibrant and I feel lucky to have been part of it. Our small but authentic scene incubated heavy hitters like Boreta from the Glitch Mob, Matty G from Dub Police, EPROM from Warp Records, Red Army from Samurai Music and Nick Argon of Argon Records.

I moved to Washington D.C. for graduate school in 2007 and later New York City, getting involved in both cities’ dn’b scenes along the way. I eventually moved home to the San Francisco Bay Area in 2012 and for the first time really embraced the dn’b scene there. My plan was to remain there forever but in 2015 I met a woman from London and my life turned upside down! I very unexpectedly got married and moved to London in 2016. I miss home but have no plans to return to California anytime soon.

You mentioned how dnb came in to your life, but there can be quite a long way to start producing it as well, and now you’re also a DJ. What happened?

I was exposed to dn’b in the mid 90’s through mix tapes and the occasional rave, but I didn’t really get hooked until the techstep sound matured around 1998-99. At that time I was becoming good friends with some house and breakbeat DJs and they took me to the 20,000+ people underground massives happening in California at that time. After wandering into the dn’b rooms a few times I got hooked. Dieselboy’s name was on the best line ups and after I picked up one of his mixes, it was all over. I became quickly addicted, listening to his mixes and playing my didjeridu along with them. Soon I started to perform over other DJs. It wasn’t until I graduated university in 2002 that I actually started making drum & bass, and of course I’d sample my didjeridu a lot and I still do. DJing came last. I had made so many tracks but didn’t have a way to perform them, so I had no choice but to learn!

Any releases we can look forward to?

Confirmed releases for 2019 so far:

1. My second collab LP with Centaspike on Tech Itch Recordings, called Continental Convergence.
2. A collab on Paragon’s Iris LP on Tech Itch Recordings.
3. A collab with DJ E on the RESIST:ED FOUR compilation on Tech Itch Recordings.
4. Two tracks, each with a different Russian producer, coming out on the American label AGN7 Audio.

As a producer you’ve collaborated with a few other artists. Do you prefer to produce alone or with someone else? 

I love both collaborating and working solo. Over the last six months I’ve been included in a series of experimental production sessions with the techstep label Biotic. Every week I meet with Facs, Scythe, Synchronise and several others with the goal of creating an entire tune in one night! I’ve accumulated a lot of unfinished projects during these sessions that I’m really excited about, so my challenge now is to finish the best of those and get them released. This brand new mix is a taste of those rough projects, including collabs with Facs & Scythe

Do you have your own studio? What is/are your best tool/s?

Since moving to a tiny flat in London I’ve had to downgrade my studio. At first it felt like a major drawback, but it forced me to invest in some really good headphones and I think my mix downs have actually gotten better for it. It’s just frustrating sometimes because I don’t have loud monitors or serious bass to sit back and listen to. So I have methods for compensating like testing my tracks through different stereos and bass-heavy headphones. My best tools are my microphone, guitar FX pedal and didjeridu as that gives my tracks originality and an analogue element. I use didjeridu in about half my tracks. It’s like an organic synth.

You’re not only a DJ and producer, you’re also heavily involved with Tech Itch Recordings events. Can you tell us how this came up and the story behind that?

Living in the US, you become accustomed to interacting with UK producers purely through the Internet. When I found myself living in London, I knew I had to meet the artists I work with face to face. That desire, and also my impression that the London scene in 2016 lacked a techstep night, was the inspiration for a Tech Itch Recordings label night. The timing seemed right also because the label was expanding to include several new artists in London. We’ve happily settled at Rolling Stock on Kingsland Road where we have a regular event about every two months. Residents include myself, Paragon, DJ E, Structure, Voyage, Terror Cell, Layer 3, Xanadu and Blackeye MC.

What’s your main focus right now?

My act consists of DJing while playing didjeridu through a microphone. If I don’t practice regularly I lose my edge, so to stay sharp I’m beginning a regular broadcast series soon that will air every two weeks. I find accountability is the best way to instil willpower. A regularly scheduled broadcast will force me to practice! Here’s a taste of my act:

 

Aside from the weekly Biotic production sessions and DJ/didjeridu-ing practice, I’m always working with Tech Itch and the residents to plan out events in the UK and internationally.

When are you playing out next?

I’m excited for my debut show in Timisoara, Romania on 12 January. It will be the first Tech Itch Recordings event hosted outside the UK. We’ve also got another Tech Itch night lined up in Bristol on 8 March at the Black Swan which will be savage!

Tech Itch in Romania – that’s amazing! How did that happen? Any plans to bring Tech Itch to other cities too?

Romania has a thriving dnb scene at the moment and they got in touch with Tech Itch Recordings to see if we could send out some artists. We’d been looking to expand our event overseas and this seemed like a perfect opportunity. So we are working with the very reputable Nomad Audio crew at the moment to co-host our first international event on 12 January and hopefully this will be a regular occurrence for the label, not just in Romania but other countries as well. Crews interested in co-hosting a Tech Itch event in their area please drop me a line: mikeindidjinous@gmail.com

When is the next Tech itch night – and WHY is it on Thursdays in London?!

Aside from the Romania show mentioned above, the next Tech Itch event in London is on Thursday 31 January. We chose Thursdays because (at the time) there were no other Thursday night events so it made scheduling easier and put us on a unique night. Weeknights also have less overhead, which allows us to keep it free. Another reason is that our club features mainstream music on Fridays and Saturdays so we wouldn’t fit their weekend vibe. I wouldn’t rule it out in the future though. Our shows outside London are always on the weekend!

That is very exciting! What can you tell us about the line up?

We’re excited too! This is a release party for Paragon’s Iris LP. This collab-heavy album is heavily focused on grimey, industrial rollers and includes DJ E, Cypher, Voyage, Zigril, Code 906, Furious and myself. In addition to Paragon, we’ve got Source Direct making his second appearance at Rolling Stock, as well as Cypher, Y2, Operator, Structure and Blackeye MC. This event is free with RSVP. For more information, head to the Facebook Event Page

How do you choose DJs for an event?

The aim is to go beyond a typical club event and generate a genuine artist community, so we book techstep producers (or DJs that show an authentic passion for the Tech Itch Recordings vibe). All performers are afterwards encouraged to submit demos for the ongoing RESIST:ED compilation series (RESIST:ED FOUR just released this month) which helps to inspire collaboration and synergy among performers. We want our event to help catalyse the growing techstep renaissance.

When you’re not being very busy within the dnb scene you are also involved with politics, tell us a bit about that! What is your ‘normal’ job?

I am the campaigns manager at Open Rights Group, a non-profit organisation working to protect “digital rights”. Basically it’s like a human rights organisation focused strictly on how people are treated online. So that means we fight digital censorship, the government’s mass surveillance programme, and we also fight for laws to protect your personal data from tech giants like Facebook. It’s exciting work and similar to what I used to do in Washington D.C.

Any famous last words or shout outs?

BIG THANKS to all the residents who have stuck with our vision for the event! Thanks also to everyone who’s made it out, we promise to take things to the next level this year!

Thank you!

Tech Itch / Facebook / Store / Instagram

Indidjinous / SoundCloud

Behind The Event: Method Twenty Four

Let’s start from the beginning – who are you and how did it all start?

Method Twenty Four is a group originating from Corsham, Wiltshire but mainly working in Bristol. We own a custom sound system as well as promoting events in Bristol, mainly dnb events however we also span out to hip hop and dubstep. As well as this we run a small, tight nit agency with artists such as Grey code, Mystic State, GROUND, Taelimb, Wingz, Transparent and a few others.

I think it all began when we were around 15 years old, we were lucky enough to have loads of mates who were already in the dnb scene (Mystic State who at the time were putting stuff out on Flexout Audio) which heavily influenced us. Then because we weren’t old enough to get into clubs we got ourselves some speakers and began running small free parties in local spots.

What is your background in the drum&bass/jungle scene?

Again, our background stems from most of our older mates who I guessed we looked up to at the time. They were producing drum and bass and we kind of got into it that way.

Where does the name come from?

The name comes from an old crew tag used for graffiti writing, we just liked writing the letters MTF and then needed them to stand for something so came up with ‘Method Twenty Four’.

Do you guys remember your first rave?

Other than the parties we first did my first proper rave was Ebola Ball Halloween free party in 2014, it was a crazy illegal rave in the centre of Bristol in some huge warehouse. There were thousands of people and the stack of speakers was ridiculous.

Then the first legal rave was when we were 17, some promoters asked us to bring some amps to Lakota in Bristol for a jungle event, (can’t remember the name). In the end our amps broke and the main room didn’t have any power!

Do you DJ as well?

A couple of us mix and have began to learn to produce music on Abelton, we will hopefully start putting out some of our own music in the next year or so!

Favourite venue and favourite rave?

Jesse: My favourite venue is The Black Swan, it’s just so nitty and you can bring the biggest system you can think of into there. My favourite rave was probably the dispatch takeover at the void stage on the last night of Outlook 3 years ago.

River: My favourite club is The Trinity Centre, it’s an old church with high ceilings and a large space, always has a great atmosphere and the thick walls means it’s normally pretty loud.

My favourite rave was probably our own ‘MethoDNB 04’ we’d put so much work and time into it and when it came down to the night it just popped off. All the dj’s smashed it and the place was packed all night.

How do you choose the DJs for your line up?

Mostly we just book artists who we listen to and think others will like, we always try promote new comers that others may not have heard of before but you have to find a balance between big / new names to draw in the crowds.

When is the next one and what can we expect?

Our next event is The Connections LP Launch party for The Chikara Project. If you haven’t already checked out The Chikara Project, you should. The event features several artists from our agency as they all feature on the LP. Going to be a really sick night and will be the first time we have run our entire system together so will be pumping for sure.

Dream line up?

There are so many I could pick from but if we had to narrow it down to 6 or so would probably be Alix Perez, Skeptical, Randall, Arkaik, Bredren and GROUND. GROUND is pretty new to the scene but he’s definitely one to watch out for and his mixes are insane!

What’s the goal?

Eventually we would like to have our own stages at festivals and run boat parties at the likes of Outlook festival. We will just keep growing our sound system and agency roster, hopefully one day we will be able to fully live off of music, I think that’s the main goal.

What’s next for MTF?

Our next big move is Methodnb05 on the 2nd of Feb at The Black Swan. Line up includes some really good artists like Xtrah and QZB as well as a BNKR takeover.

We’re also expanding the agency trying to find new emerging talents and push their music!

Any famous last words or shout outs?

Big up to all the artists on our agency, and to all the people to that come to our events and support us. It’s a special feeling when you’ve put months of work into an event and then to see it go down and see everyone loving it!

And finally, a special shout out to Unknown Sound System, they really helped us out with our first few big events and definitely taught us a lot! RIP Wardy.

Thank you guys!

Check out their next event on the 23 November at Jack Of Diamonds in Bristol with DJs like Philth, Mystic State, Phaction, Taelimb & Conscience, Crypticz, Ethos, Intrinzic Music along with Tephra & Arkoze as well as their resident DJ’s. Get your tickets here

Follow MTF on Facebook

Featured Event: Liquescent- Birmingham


Liquescent are stepping up a notch or two this year…..

 

5th October they return with their 1st birthday celebrations at

Lab 11

 Birmingham.

Line- up duties….

 

LTJ Bukem
Randall
Submorphics
Mantra

 

Hosted by : Visionobi / Ruthless

 

Tickets : skiddle.com/e/13282942

 

We fired over a few questions regarding Liquescent event.

Here’s a quick Q & A.

 

Please introduce yourself…

I’m fez from Birmingham and co-owner of Liquescent.

 

How many years have you been hosting Liquescent events?

Our next event on 5th October is the 1st bday !!

 

Are they monthly or a few times a year?

So this past year we have had 5 shows.

We are trying to aim for 6-8 shows a year, every 6-8 weeks roughly during 2019…

 

How many promoters are involved?

Me and my business partner Ian own Liquescent.

We have a team of promoters who we run and manage other events, which helps.

 

 

Do promoters in Birmingham work around each other so there’s no clashes?

On a whole yes, but not everyone likes to share dates so clashes do happen.

Proudly we’re not one of those and like to work with others in the local scene.

 

The line up for your next event is across the full spectrum very diverse, do you think this will pull in more music lovers on the night & will work well in Birmingham?
As i’ve noticed D&B in Birmingham is mainly dominated by one sub genre…

We carefully curate our line ups.

We don’t believe that there should be boundaries in drum and bass.

Although we prefer Liquid and odd bit of jungle, generally we like to pick artists who we like to listen too.

 

Do you have a dream line up?

Yeh tbh we book the people we want.

There’s a few which we can’t atm due to exclusivities but that’s not to say we can’t in the future.

You just never know what’s around the corner these days.

 

Any final words, special thanks?

                          Yeah thanks to everyone who has attended and supported us this year.

 

 

Exclusive Interview & Guest Mix: Taelimb

Hey Taelimb and thank you for answering my questions for drum+basics! Let’s start with the obvious; your name. Where did you get that from?

I went through loads of names years back when trying to settle on something and every time I found a cool name there were already hundreds of other DJs who had got there before me. So I decided to come up with something random. Now when you Google Taelimb, nothing but me comes up. I only wish I had made it a one syllable word so that people couldn’t miss pronounce or misspell my name.

You are a DJ and you produce music; how did you start? Have you experimented with other genres as well?

I started out making hip hop when I was around 18 because that and Jungle was what the London scene was all about. Now I mainly release DNB and definitely enjoy producing it the most. I’ve started to enjoy DJing more recently, it’s far more fun playing out to a crowd than to a wall in my bedroom.

Where do you make your music and what’s your set up like?

Most of my music is made at home on my set up in my bedroom, mainly on my headphones (Beyerdynamic dt880 pros). I also have a pair of Yamaha 880s, which for the money are awesome. Apart from that, it’s just an iMac, some good plugins and a midi key board. I only really go in to the studio for final mix downs and to test masters, etc.

Where do you get your inspiration from?

I draw inspiration from all kinds of places, sometimes I just go wondering around my house with my Zoom, recording all kinds of stuff to sample and then manipulate on the computer.

Also just trying to listen to as much music as possible from non DNB genres, like grime, house dub even metal.

Favourite DJ/producer right now?

OOOOoooh thats hard! Can’t pick one! but defo Breakage, Alix Perez, Arkaik, Conscience, Amoss, Fre4nkcy, Data 3, I could go on and on and on…

Do you do any collabs as well?

My longest standing collaborator is Conscience; he’s the only one who will really put up with me. But I generally find I work best on my own. I also finished tracks with Fearful and Anile. I’ve got loads that I have started with other people though I just never seem to get them finished.

Your new EP has recently been released on Demand Records. Tell us about that!

YES! Finally got something out, the EP is called Snapback. I haven’t released in ages but I’m now back in full production mode. Got loads more projects in the pipeline so keep your eyes peeled on my Instagram and Facebook pages. There’s a mix of tunes in there, so should be something for everyone, a bit for the dance floor and some deeper stuff too.

When you’re not being a cool producer, what do you do?

I am a carpenter and build studios, acoustic spaces and refurbish houses and flats. I also love martial arts, which I have been doing in various forms since I was 15.

I haven’t seen you out in AGES – do you still go out raving?

Yeah I do, but it tends to be more so when I’m playing out or have been invited somewhere specifically. I still love raving, but it just gets harder and harder to recover these days!

When can we see you DJ anytime soon? Just played a DNB Arena night at Studio 338, which is a sick venue. Next up I’ve got a gig in Bristol on the 23rd November with the MTF crew. They are relatively new to the scene but they put on banging nights.

You’ve done a wicked mix for us, tell us a bit more about it.

Tried to take you on a little journey through some of the new and old music out there that is inspiring me at the moment and gets me excited about what’s happening in our scene at the moment.

What’s next for Taelimb?

At the moment really trying to make a big push for next year – got a load of projects; one in particular that i’m quite excited about involving Joe Raygun and Visionobi. I also have a couple of other EP’s coming in the next few months so keep an eye out for those too!

Other than that I am getting some help from a friend of mine Paleblu. He has been helping to manage me and my socials, pushing Taelimb as a brand etc so hopefully this will lead to generally getting a bigger following behind me and open up more opportunities in the DNB comunity

Any famous last words or shout outs?

Big up to all who have supported the new EP, legends!!!! and Carlos at Demand for putting in so much work for such little reward, man is a diamond and the label should get more credit!

Obvs all my Flexout gang and the all the girls repping hard for our scene right now!!! Big up Sweetpea, Kyrist, Djinn and all the others putting in the hard work, about time we had a push for some more female involvement in the DNB scene.

Oh yeah and Paleblu for hooking me up with his show on reprezent radio 107.3fm, will be on every 2nd month – first one in October with Breakage and MC Visionobi

Vykhod Sily – The New Order

An insight to Vykhod Sily

 

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Vykhod Sily is a brand you should be familiar with If you are into your beats more abstract, dark and meticulous. Launching in 2013 Rustee has been delivering specially crafted podcasts taking you on excursions through 85/170bpm electronica music and has a whole series of guests from established DJs all the way through to exciting underground live acts.

Fast forward to 2018 and with careful plotting VS has now released their 2nd project as they now have made it an imprint, bringing you the same ethos as the brand, solid top quality 170 from the likes of dreadmaul, Akinsa & Ghoulcut to name a few. We had a quick catch up with Rostislav (Rustee) the curator and mastermind behind everything.

DBS: Good afternoon and big thank you for your time today Rostislav, so let’s take it all the way back to 2013 with a generic ‘’how did the podcast start’’ question…?

VS: Ez. Huge thanks for having me on this interview. Let’s go back even a bit further in time. Just before the VS podcast started itself I had had a little mix series encompassing 85BPM dubby/tribal sounds called “Rusty Dub”. It was 5 mixes in there back in 2012 featuring the vibes of The Untouchables, Morphy, Thing and many others. So this very mix series shaped the future VS podcast concept as I was keen on dark and deep sounds in that vein. After closing the “Rusty Dub” I was still full of intention to keep on exploring those vibes and was also thinking of doing a podcast on a regular basis. Everything happened pretty quickly. I got a radio slot offering from my old friend and having already a podcast name in mind I launched Vykhod Sily on djstation.ru being aired weekly on Thursdays. In the very beginning, the podcast was strictly halftime dnb but the boundaries got pushed very soon.

DBS: What is your musical history/background, I know you have got a strong passion for funk and soul do you think if you weren’t doing 170 you would be going down those routes? Also, how has the Russian scene grown in regards to electronic music since you started?

VS: Have been a dnb head actually since 1997, following Metalheadz, GLO, Moving Shadow labels. So I’m calling them a “formative influence” to me as a listener. In connection to funk & soul music the more I was listening to dnb stuff in 90’s the more interested I got in samples and the sources for them. So back in 2005, I started buying 45’s records and playing out in my city. Actually, I still keep going 2 ways now, one is drum-n-bass in the shape of a blog and a podcast/label and the other is my soul/funk alter ego where I’m spinning vinyl on a regular basis in Yekaterinburg. Talking about the Russian scene evolving since 2013, yeah the movement has been grown significantly with all the new guys producing appeared on the scene. We have Torn being released on Horo, Dailiv, Hidden Tactics, Code 906, Protagonist, and my others as far as the new names are concerned. Those guys are getting recognized in the deep drum-n-bass circuits outside Russia and this is a wicked thing.

DBS: Now onto the label, I feel when someone builds a brand up it’s the natural progression to then move onto an imprint or events, how was the transition for you and what are your goals?

VS: I was often asked why we didn’t start a label. The time wasn’t right for that a few years back maybe. In 2017 we (with my fellow mate Virulent Green) launched a crowd-sourcing campaign on Patreon with the main aim to build up a community and to set up a label being supported by the people who have been following us. It worked quite well. Up to now, we have 2 releases which came into existence with the assistance of our Patreon heads. All the releases are given away for free. Download them in 320 from patreon.com/vykhodsily_podcast/releases.

DBS: Could you tell us anything about future releases?

VS: Yeah, we have the following roster for the next 6 releases:
VS003 – Ahmad & Akinsa
VS004 – Dailiv & Cryptographic
VS005 – DYL & Spiraal Aurel
VS006 – Entire & Istota
As you might notice all the releases will be the result of a collab work. We started with that concept and we will follow that way, connecting guys together and giving them new spaces to create.

DBS: Time for a quick top 5 now….producers you’re feeling?

VS: Andy Skopes, Dissident, Dubmonger, Owl, Blocks & Escher

DBS: Any Last Words?

VS: Big shout to the worldwide VS family, to the people who have been sticking with us for these 5 years (subscribers, DJ’s, bloggers). Maximum respect to all the artists bringing the new sounds and pushing the boundaries. The project is going on strong thanks to the constant dnb scene evolving. And I believe we are in for a long and joyful way to go. So hold tight.

—————————————————————————————————————————————————————————————-

VS002 – GhoulCut & alg0rh1tm – Out now!

‘’Social Box’’  kicks things off with the pop-gun synth-bass, intricate percussion edits and looming pads, think of it as a journey through the underworld this track is bursting with emotion which keeps everything locked in nicely  A sublime, stripped back groove which pulsates with a technoid insistency

‘’Faraway Dreams’’ gets trippy with the drum space, haunting tribal soundscapes and live elements, The atmospheric susurration, the constant manipulation of that drum pattern, with a little distortion here or some glitching there. If you’re going to make a track with minimal elements those elements have to be perfect, and this is close to it.

 

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